Monday, 16 February 2015

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Candidates Name : Sarah Parry
Candidates Number:
Date: 23/02/2015
Pathway: 3D
Project Title: Customising The Unique



Throughout this course I have learnt much about the art and design process and that has shaped what I intend to do in the future.From the drawing aspects of the course that has improve my ability to translate my ideas onto a 2D platform and understand the human figure and natural forms, to the conceptual development in Fine Art, this has helped me greatly in all aspects of my art and what I want to do. I had always been interested in jewellery design, but having little experience in making three dimensional objects I was undecided if I wanted to pursue it as a career. Having been given the chance to research, learn and explore different aspects of art and design, I know that I want to become a jewellery designer. Allowing me to improve my design process from the development of my initial idea, to the making of a finished piece. Taking contextual research to enhance and improve my ideas, I have learned from other artists and designers. I want to create something that's uniquely mine. I have improved my knowledge in all aspects of art, especially 3D. This has given me a greater understanding of what 3D incorporates. I have also developed a love for seeing my ideas become a three dimensional object. While working on my project it has given me the opportunity to learn about how materials work together and what they could be used for. I have experienced the advantages of modern technology such as the laser cutter. This course has shown me that jewellery design can be as versatile and creative as I want it to be.

My final project will be a development of my investigation of the concept of jewellery being an extension of the wearer’s personality. I intend to look at how jewellery can be much more than ornamental and reflect to the world the wearer's own identity. I wish to take this a step further and work with one or two individuals to create something personal that incorporates an aspect of their own personality into a piece of jewellery. I want to work closely with them to create a statement piece that they feel represents their identity, allowing them to showcase an aspects of their personality that they feel are a large part of them or that they feel aren't represented well. I want to show who they are by what they wear. This will allow me to gain an insight to the professional practice of creating bespoke jewellery, being flexible and changing ideas and designs to please the customer. For this project I will also be looking into how different shapes can change the meaning of an item, as well as how we see colours and how they can represent different feelings. This project will give me the chance to learn about the professional and commercial side of bespoke jewellery. To do this I will be speaking with practicing jewellery designers that offer custom bespoke jewellery, learning what methods they use to work with the customers to create their designs. I will develop my understanding of how jewellery fits round the human body, being mindful of comfort and balance while designing my pieces. I will also be researching and using different materials in this project including metals, glass, paper and card, combining and testing the limits of the materials ,such as heating and moulding copper, casting coloured glass and laser cutting text to successfully represent the individual I am working with.


Throughout this project a constant reflection and evaluation is critical. All information will be documented on my blog and in some cases in my sketchbook. This will include all changes in my project aims or goals, as well as any new research and ideas. I will present my work through a PowerPoint presentation at week 5 review gathering feedback and then at week 9 final assessment alongside a 1000 word statement of evaluation. This evaluation will be a combination of my own thoughts and those of my client through out the development of the piece, making sure before each stage of this process a discussion with the client has been obtained to inform the progression to the next stage. This ongoing reflection is a major part of my project and the design process of the bespoke jewellery business. I will also have any information revised from surveys, polls, group critiques, advice given from tutors or peers, as well as information from practicing jewellery designers. This is so I can have a greater understanding of my practice, and therefore better evaluation on my decisions.


Time Line:

Week 1 Research
Mind map, research into bespoke jewellery, looking at commercial personalisation and research into colour and shapes and how they represent personality.

Week 2-3 Research and Designs
Researching into professional practice of creating bespoke jewellery and their design process, trips to the jewellery quarter and meetings emails with designers. Studying anatomy of the hand, arm and neck Designs and ideas Working with the person/people I am making my jewellery for.

Week 4 Samples/ material testing
Testing and experimenting with materials and how they react together. Working with the person/people do decide what materials would be best fit their personality

Week 5 PowerPoint Presentation. Interim feedback Crit. Gather feedback.
Starting test pieces and working on my PowerPoint presentation.

Week 6 Test pieces
Starting to make test pieces of my final piece, working out any problems that may arise measurement and mechanic of the jewellery.

Week 7-8 Final piece
Working on final pieces, design drawing, evaluation and presentation of work.

Week 9
Prepare for final assessment, exhibition diagram and 1000 word evaluation,

Bibliography:

Books

Adams, M (2012). Fashion jewellery: catwalk and couture. London: Mini Ed, Laurence King Publishing Ltd,

Szubyoghy, A and Feher, G (2013). Anatomy drawing school. Human. Cambridge: H. F. Ullmann Publishing.

Schaffer, J and Saunders, S (2012). Fashion Design Course: Accessories. London: Quarto Publishing plc.

Mcgrath, J (1999). Basic Jewellery Making Techniques. London: Quintent Publishing Ltd.

Klein, D (2001). Artists in Glass: Late twentieth Century Masters in Glass. London: Octopus Publishing Group Ltd.

Phillips, C (1996). Jewellery From Antiquity to the Present. London: Thames and Hudson Ltd.

Itten, J (1973). The Art of Color. New York: Van Nostrand Reinhold Publishing.

Watkins, D (1993). The Best In Contemporary Jewellery. London: Quarto Publishing plc. p7-209.

Untracht, O (1985). Jewellery Concepts and Technology. London: Robert Hale Limited. p280-653.

websites

PANDORA. Charms. Available: http://www.pandora.net/en-gb/explore/inspiration/whypandora. Last accessed 24th Feb 2015.

myPANDORA. (2014). Styling with Letters and Symbols. Available: http://www.pandora.net/en-gb/explore/pandorauniverse/magazine/the-august-issue/as-seen-on. Last accessed 24th Feb 2015.

Gems&Jewels. Which gandj girl are you?. Available: http://www.gemsandjewels.com.au/which-gj-girl-are-you/. Last accessed 26th Feb 2015.

IngleandRhode. Our Story. Available: http://www.ingleandrhode.co.uk/our-story/. Last accessed 20th Feb 2015.

Colour Affects. (2008). Psychological Properties Of Colours. Available: http://www.colour-affects.co.uk/psychological-properties-of-colours. Last accessed 19th Feb 2015.

Annu. Rev. (1990). PERSONALITY STRUCTURE: EMERGENCE OF THE FIVE-FACTOR MODEL . Available: http://orientation.uchicagolawandecon.org/readings/Digman%20on%20Five%20Factor%20Model.pdf. Last accessed 10th Mar 2015.

Clause, C. (2003). What Are Personality Traits? - Characteristics, Definition & Five Big Traits. Available: http://study.com/academy/lesson/what-are-personality-traits-characteristics-definition-five-big-traits.html#lesson. Last accessed 10th Mar 2015.

Potter, J. (2009). The Big Five Personality Test. Available: http://www.outofservice.com/bigfive/?score-bigfive. Last accessed 27th Mar 2015.

Wilson, J. (). Jenni Wilson Contemporary Jeweller. Available: http://www.jenni-wilson.co.uk/. Last accessed 4th Mar 2015.

Peggi Habets. (). Bio. Available: http://www.peggihabets.com/mbr_bio.php#.VSP66Y7RBv8. Last accessed 1st Apr 2015.

Habets, P. (2007). Peggi Habets Studio Blog. Available: http://www.peggihabetsblog.com/. Last accessed 1st Apr 2015.

intotemptation. (2012). Jewel of the day: Jenni Wilson Washing Line necklace. Available: https://intotemptation.wordpress.com/2012/01/13/jewel-of-the-day-jenni-wilson-washing-line-necklace/. Last accessed 4th Mar 2015.

E-mails

Wilson, J. wilsonjenni@hotmail.com. Jewellery answers. 8th Mar 2015.

Visits

ARTifex 

Scott, R. (2015) Robert Scott: Furniture Designer. Birmingham:  ARTifex Gallery. 15th March 2015.
 
Hubbard, N. Ardiff, A. Clamp, A. (2015) Designers Jewellery:  March Jewellery Collection. Birmingham:  ARTifex Gallery. 15th March 2015.

Preisler, S. (2015) Sara PreislerApril Showers Bring May Flowers. Birmingham:   Sara Preisler Gallery. 3rd April 2015.

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